4. NAGE TE (NGSKR Mutou)
The photo sequence shown above involves the principle of Ju or to yield and is called Tenkan (To step away) and then entering (Irimi) following the Tenkan ) in order to perform Nage Te (Throwing hand) This is a characteristic of one of the principles Mu Tou .

5. Whilst this above series of line drawings demonstrate one of the principles of Mutou, that which extends from Kassen Te, this is part of the Shodan Ge series of techniques, a variation of Shodan Ge Nichi (Variation 2 of No. 1 technique)

6. KASSHEN TE Here above is another principles of Mutou, but this time moving through Shodan and Nidan Ge to Sandan Ge.
A Te entry technique is performed (Photos 1 & 2 show two different angles) followed by some gentle wrist manipulations (Third photo). The emphasis here is on relaxing the partner, hence the knee supports the back of the person who is receiving the technique (Uke).

7. MUTOU DORI:  Here above we have more detail that demonstrates various principles of Mutou.
The series of photographs directly below this writing demonstrate one version of a technique practised in Nihon Go Shin Kage Ryu Mutou, The term Muto means to have no sword, this implies that one should be able to deal with an opponent who is wielding a weapon when you yourself are disarmed. It can, as it often does in Mutou, involve gaining control of the weapon by controlling the person who is holding that weapon. In this particular sequence some Te grips are applied to the opponents wrists.